Returned from an industry conference in Perth: a nice one, thoroughly enjoyable, if somewhat tiring.
Found a Scientific American Mind Vo. 17 No. 2 on the magazine rack while at the Perth airport. There's a nice article on social circles as elaborated by psychologist Robin Dunbar. He postulates that social circles are hierarchial structures in the shape of concentric rings. In the inner ring is a hoop of three or four, or at most five people, whom we feel our greatest emotional connection to. This is the 'support group'. The next circle holds between 12-20 people with whom we maintain a caring mutual interest relationship. The subsequent level of 30-50 is looser still: these are people we have regular, if only occassional contact. Each circle's number of individual increases by approximately a factor of three. This can be seen in the arrangement of battle units in many countries. The smallest unit consists of 10-15 people, a platoon of 35 and a company of 120-150.
Did you, as you read the above paragraph, already started to populate your own social circle map with names?
A google (is your friend) reveals this article (quoting Dunbar) on the value of gossip. The arguments seems very logical, very scientific method even. Scary. Another nice article on gossip here.
I wonder what this says about the new media of blogs, podcasts, moblogs et. al. The new media at our disposal allows us to talk to potentially many people at once, yet time and again research as shown that new media's subscription is still rather niche. For example, many personal blogs have very small but dedicated readership, often comprising of a social grouping no larger than the second social circle. Are blogs the next incarnation of the quilting circle?
I am an optimist. It does not seem too much use being anything else. -- Winston Churchill
14 May 2006
15 April 2006
08 April 2006
28 March 2006
42 is the answer to the Question...
...and the question is 'what is the third moment of the Riemann zeta function' apparently, according to this article.
Ooohhhh.
Personally, I find the related /. forum page hilarious.
In other news, the same website that published the Riemann zeta function story also published this (Prescribing Religion) and this (the need to study religion scientifically). Is this a coincidence or what?
Ooohhhh.
Personally, I find the related /. forum page hilarious.
In other news, the same website that published the Riemann zeta function story also published this (Prescribing Religion) and this (the need to study religion scientifically). Is this a coincidence or what?
24 February 2006
Brand New Day
For some unexplicable reason, I'm moved to write the following:
Through the predawn darkness I spy the first light of morning. Perhaps that's reason enough.
HELLO WORLD!
Through the predawn darkness I spy the first light of morning. Perhaps that's reason enough.
13 February 2006
Mind Hacks
Mind Hacks - Tips & Tools for using Your Brain - Stafford & Webb, published by O'Reilly
This is a great book, a not-so Dummy's Guide to the practical appreciation of the human brain, and how we can use it... better.
Positives
Full of wonderful, simple experiments about the senses... more specifically vision and hearing.
Full of usage of online materials for simple experiments. You know that your science museum has arrived when your online exhibits are listed alongside more serious experimental psychology studies.
Proper citations
And most importantly, the first scientific explanation (that I've seen, at least) of why putting a pen between your teeth makes you feel happier (Voluntary facial action generates emotion-specific autonomic nervous system activity Leverson, ekman, Friesen, Psychophysiology 27(4) 363-384), and why you should think that you are great, happy and confident -- and in a way giving some validity to all of that positive reinforcement self-help fairy dusts (concept priming, emotion as a social bonding/communication tool, contextual memory and all that autonomic responses to emotion... again)
Why caffeine addiction is less an addiction to the chemical compound itself, but more a conditioned response to the stimuli... and NO, I WANT FRESH MILK ONLY, not that curlish white thing you consider dairy
Negatives
What about studies that don't support the 100 hacks listed?
This is a great book, a not-so Dummy's Guide to the practical appreciation of the human brain, and how we can use it... better.
Positives
Negatives
25 January 2006
Space flight (part 2)
As a follow up to my previous post on Beauty in the Dark (regarding the BOT), here's a rather cool overview of the topic of space flight. And here are nice write-ups on the soon-to-be discarded Space Transportation System. ATO! AOA!
Would be really nice if the entire resource is available for archival download. :)
Would be really nice if the entire resource is available for archival download. :)
17 January 2006
Watching Grass Dry
Heard a classic line from a colleague today: "One thing that is more boring than watching grass grow is watching dead grass not grow". Well, the subject matter was preserved plant tissue after all, but still, the line is hilarious.
12 October 2005
Link between early stress and memory loss
This news article seem to suggest a scary trend, with stress levels increasing in the younger population of the world, what with competitive exams and competitive gaming environments...
What will happen if a quarter of the world has Alzheimer's? Hmm...
What will happen if a quarter of the world has Alzheimer's? Hmm...
18 September 2005
The Emperor's New Mind by Roger Penrose
*Spoiler Warning*
First, a warning of sorts: this book of 602 pages is not light reading. This strange hybrid of a philosophy treatise and a science text doesn't even have a very satisfying conclusion. For a book that sets out to answer, or at least attempt to answer, what consciousness is, the answer, when it came, lacked conviction. I'm sure that the author was convinced; the fault lies with the writing. Science communication (and I distinguish this quite clearly from communications between scientists: science communication to the lay-person is an art form, not an application of the scientific method) is not only about the transmission of information and knowledge: it is also about getting logical agreement and emotive buy-in from the reader. A popular science book that doesn't provide a good 'satisfying read' serves no one.
This is disappointing, for the background information Professor Penrose provided (which in a popular science book such as this one is essential to leading the non-expert to the the author's conclusion in an inevitable and logical way) is a good and solid introduction to the fundamentals of logic, artificial intelligence and modern (i.e.20th century) physics. It is unfortunate that the robust background information could not build up to a firm pronunciation (the author, was in the typical English gentleman way, far too apologetic) of Professor Penrose's belief that consciousness is non-algorthmic, (possibly) works because of non-local effects stemming from the Einstein-Poldolsky-Rosen paradox, does not cause vector-state reduction (refer to the 'Schrodinger's cat' thought experiment), and will require further improvements in our understanding of the Grand Theory of Everything (in which the marriage of quantum electrodynamics and general relativity is only the first step) before any description is possible.
Don't get me wrong: this book has its brilliant moments. The introduction to computing and Turing's Test is clear, and the arguments between a deterministic universe versus a computable universe compelling. The physics discourse is heartwarmingly nostalgic of my undergraduate course and actually taught me a new thing or two. The chapters on existing knowledge of the human brain and consciousness were well written and informative (though I wish there were more details). My favourite paragraph in the entire book is this:
This had me lean back on the chair to marvel at the idea that somehow, the very language that communicates this thought to me is the very embodiment of consciousness. This is a simple concept, yet it hides such complexity behind its 'obviousness'. What of dolphin consciousness/intelligence? What of two people speaking completely different languages? Surely there are ways of bridging the gaps! (Just imagine a first contact situation, where two aliens... sorry, beings.... are trying to learn from one another how each other counts.) And if so, does it not favour an objective universe, and not a subjective one? The sheer importance for the role of imagination in a subjective universe defies belief, and I'd go with Occam's Razor on this one.
In the fifteen years since this book was written, there has been progress in the field of super-string theory which goes some way to further explain the fundamental 'realities' of this universe we live in. My feel is that if Professor Penrose had these data back then, his arguments might have altered a little, but the fundamental arguments would still be the same. As our knowledge of clinical consciousness and the elementary (excuse the phrase... would 'fundamental' be better?) physics increase, how can we use science explain consciousness? With new, unknown science, it seems.
First, a warning of sorts: this book of 602 pages is not light reading. This strange hybrid of a philosophy treatise and a science text doesn't even have a very satisfying conclusion. For a book that sets out to answer, or at least attempt to answer, what consciousness is, the answer, when it came, lacked conviction. I'm sure that the author was convinced; the fault lies with the writing. Science communication (and I distinguish this quite clearly from communications between scientists: science communication to the lay-person is an art form, not an application of the scientific method) is not only about the transmission of information and knowledge: it is also about getting logical agreement and emotive buy-in from the reader. A popular science book that doesn't provide a good 'satisfying read' serves no one.
This is disappointing, for the background information Professor Penrose provided (which in a popular science book such as this one is essential to leading the non-expert to the the author's conclusion in an inevitable and logical way) is a good and solid introduction to the fundamentals of logic, artificial intelligence and modern (i.e.20th century) physics. It is unfortunate that the robust background information could not build up to a firm pronunciation (the author, was in the typical English gentleman way, far too apologetic) of Professor Penrose's belief that consciousness is non-algorthmic, (possibly) works because of non-local effects stemming from the Einstein-Poldolsky-Rosen paradox, does not cause vector-state reduction (refer to the 'Schrodinger's cat' thought experiment), and will require further improvements in our understanding of the Grand Theory of Everything (in which the marriage of quantum electrodynamics and general relativity is only the first step) before any description is possible.
Don't get me wrong: this book has its brilliant moments. The introduction to computing and Turing's Test is clear, and the arguments between a deterministic universe versus a computable universe compelling. The physics discourse is heartwarmingly nostalgic of my undergraduate course and actually taught me a new thing or two. The chapters on existing knowledge of the human brain and consciousness were well written and informative (though I wish there were more details). My favourite paragraph in the entire book is this:
"Many philosophers and psychologists seem to take the view that human consciousness is very much bound up with human language. Accordingly, it is only by virtue of our linguistic abilities that we can attain a subtlety of thinking that is the hallmark of our humanity - and the expression of our very souls. it is language, according to this view, that distinguishes us from other animals, and so provides us with our excuse for depriving them of their freedom and slaughtering them when we feel that such need arises. It is language that allows us to philosophize and to describe how we feel, so we may convince others that we possess awareness of the outside world and are aware of also ourselves."
This had me lean back on the chair to marvel at the idea that somehow, the very language that communicates this thought to me is the very embodiment of consciousness. This is a simple concept, yet it hides such complexity behind its 'obviousness'. What of dolphin consciousness/intelligence? What of two people speaking completely different languages? Surely there are ways of bridging the gaps! (Just imagine a first contact situation, where two aliens... sorry, beings.... are trying to learn from one another how each other counts.) And if so, does it not favour an objective universe, and not a subjective one? The sheer importance for the role of imagination in a subjective universe defies belief, and I'd go with Occam's Razor on this one.
In the fifteen years since this book was written, there has been progress in the field of super-string theory which goes some way to further explain the fundamental 'realities' of this universe we live in. My feel is that if Professor Penrose had these data back then, his arguments might have altered a little, but the fundamental arguments would still be the same. As our knowledge of clinical consciousness and the elementary (excuse the phrase... would 'fundamental' be better?) physics increase, how can we use science explain consciousness? With new, unknown science, it seems.
As you grow older...
... you may find several truths.
1. The weather is getting worse.
2. Children are getting ruder; people less caring and civilised.
3. Politicians are getting more self-serving and (gasp!) corrupt.
4. The world gets smaller thanks to improved transportation links, but 'progress' becomes doubtful.
5. It takes more to make you go 'wow'.
Sad, isn't it?
1. The weather is getting worse.
2. Children are getting ruder; people less caring and civilised.
3. Politicians are getting more self-serving and (gasp!) corrupt.
4. The world gets smaller thanks to improved transportation links, but 'progress' becomes doubtful.
5. It takes more to make you go 'wow'.
Sad, isn't it?
11 September 2005
Sound tests (not rigorous)
This week, Apple announced a new product called the iPod nano. This, of course, created a wave of iPod desire which simultaneously pleased many ('more toys!') and pissed off many others ('I've already have an iPod, grrr!!'). It's difficult to decide which category I fall into.
Now, the hypothesis is that the people at One Infinity Loop has been improving their product offering. To convince myself of this hypothesis, I did a back-of-the envelope, limited-to-ears/brain-interface, doesn't-conform-to-the-Scientific-Method experiment to test the audio output between a 2nd generation 20GB iPod (bought in the good old days of 2002 when iPod was still Mac-only and favourite green-eye monster bait for all those Windows people) and a 1GB iPod shuffle. It's a little like comparing apples with oranges, given that the two products have quite different designs and specifications. However, since they both play the same set of music, it's fair game (just like apples and oranges are both fruits: fair game), methinks.
Steps:
1. Downloaded Star Wars Ep III soundtrack (160kbps) onto both devices.
2. Set iPod to no EQ setting. Locate experiment in quiet place. Standardise volume output as much as possible using ear/brain response to the first bar of the music.
3. Used old ear phones that came with iPod for general 'environment in crowded subway' testing
Results: Like many have noted elsewhere, I noted that the Shuffle gave a bass response which was both louder and clearer in comparison to the rest of the audio range. No obvious difference for middle and higher registers. Overall, the Shuffle gave a clearer, more crisp experience.
Note: Hints of strings being plucked strings could be discerned from the iPod; same set of strings being plucked are very clearly heard in Shuffle.
The same results are generally true for most other music types with well defined percussion rhythms.
To repeat the experiment:
1. Downloaded Mahler's Second Symphony, Fifth Movement (128kbps) onto both devices.
2. Set iPod to no EQ setting. Locate experiment in quiet place. Standardise volume output as much as possible using ear/brain response to the first bar of the music.
3. Used Shure's E2 in-ear ear phones (see also 'tinnitus in abnormally quiet environment')
Results: there's an soft but appreciable background hiss from the Shuffle, which wasn't there with the iPod. This is most likely due to impedance matching between the player and the ear phones, but mechanical insulation effects are also likely. Also, the solid state electronics give a very soft, high pitch whine with each press of the 'scroll wheel' button, which is cool from a geeky point of view, but highly annoying to a musician's ear. (One can argue weakly that it resembles analogue hissing from vinyl, but this hiss isn't 'vinyl warm'; it's more 'dentist's drill'.)
Despite the hissing (which your brain happily ignores once the music becomes loud), the Shuffle gave a better technical performance, especially with the bass response. The balance between the low, middle and higher registers was more pleasing than what the iPod gave. This was demonstrated quite clearly by the time the choir sings its second triple-piano entrance two thirds into the movement. (The first entrance is way too intense to be anything but a test of your hearing's lower threshold).
In terms of atmosphere though, iPod gave a better performance. In general, the iPod gave a better feel when it comes to classical music, and the Shuffle performed better for anything that isn't classical music.
Overall, the Shuffle is still the better of the two, given its size and form factor, and the kind of music one listens to in busy subways and commuter buses.
It'd would be interesting to find out if the iPod nano has the same hissing problem with 'sensitive' earphones, given its size and flash memory design. Maybe it's time to head down to the neighbourhood Apple shop.
Now, the hypothesis is that the people at One Infinity Loop has been improving their product offering. To convince myself of this hypothesis, I did a back-of-the envelope, limited-to-ears/brain-interface, doesn't-conform-to-the-Scientific-Method experiment to test the audio output between a 2nd generation 20GB iPod (bought in the good old days of 2002 when iPod was still Mac-only and favourite green-eye monster bait for all those Windows people) and a 1GB iPod shuffle. It's a little like comparing apples with oranges, given that the two products have quite different designs and specifications. However, since they both play the same set of music, it's fair game (just like apples and oranges are both fruits: fair game), methinks.
Steps:
1. Downloaded Star Wars Ep III soundtrack (160kbps) onto both devices.
2. Set iPod to no EQ setting. Locate experiment in quiet place. Standardise volume output as much as possible using ear/brain response to the first bar of the music.
3. Used old ear phones that came with iPod for general 'environment in crowded subway' testing
Results: Like many have noted elsewhere, I noted that the Shuffle gave a bass response which was both louder and clearer in comparison to the rest of the audio range. No obvious difference for middle and higher registers. Overall, the Shuffle gave a clearer, more crisp experience.
Note: Hints of strings being plucked strings could be discerned from the iPod; same set of strings being plucked are very clearly heard in Shuffle.
The same results are generally true for most other music types with well defined percussion rhythms.
To repeat the experiment:
1. Downloaded Mahler's Second Symphony, Fifth Movement (128kbps) onto both devices.
2. Set iPod to no EQ setting. Locate experiment in quiet place. Standardise volume output as much as possible using ear/brain response to the first bar of the music.
3. Used Shure's E2 in-ear ear phones (see also 'tinnitus in abnormally quiet environment')
Results: there's an soft but appreciable background hiss from the Shuffle, which wasn't there with the iPod. This is most likely due to impedance matching between the player and the ear phones, but mechanical insulation effects are also likely. Also, the solid state electronics give a very soft, high pitch whine with each press of the 'scroll wheel' button, which is cool from a geeky point of view, but highly annoying to a musician's ear. (One can argue weakly that it resembles analogue hissing from vinyl, but this hiss isn't 'vinyl warm'; it's more 'dentist's drill'.)
Despite the hissing (which your brain happily ignores once the music becomes loud), the Shuffle gave a better technical performance, especially with the bass response. The balance between the low, middle and higher registers was more pleasing than what the iPod gave. This was demonstrated quite clearly by the time the choir sings its second triple-piano entrance two thirds into the movement. (The first entrance is way too intense to be anything but a test of your hearing's lower threshold).
In terms of atmosphere though, iPod gave a better performance. In general, the iPod gave a better feel when it comes to classical music, and the Shuffle performed better for anything that isn't classical music.
Overall, the Shuffle is still the better of the two, given its size and form factor, and the kind of music one listens to in busy subways and commuter buses.
It'd would be interesting to find out if the iPod nano has the same hissing problem with 'sensitive' earphones, given its size and flash memory design. Maybe it's time to head down to the neighbourhood Apple shop.
Tacet! Tacet! Tacet!
John Cage's most infamous composition was his 4'33". Read a review of the performance here.
Only if there are more of such innovative music around. Where else in this busy, noisy world will we be able to enjoy the tinnitus of an abnormally quiet space?
So, What's the frequency of your tinnitus response?
Only if there are more of such innovative music around. Where else in this busy, noisy world will we be able to enjoy the tinnitus of an abnormally quiet space?
So, What's the frequency of your tinnitus response?
27 July 2005
BOT: the Beauty in the Dark
Caught a bit of NASA TV on BBC World, which was covering the Space Shuttle Discovery's Return to Flight launch. At about 8 minutes or so into the launch, a nice shot of the belly of the orbiter from a camera mounted on the External Tank (also known as the Big Orange Thing or BOT) appeared on the telly. Earth dominated the lower left of the screen, the curve horizon evocative of the fragility of the present and promise of the future. That beautiful, beautiful blue marble upon which we ALL depend.
Then the Big Orange Thing jettisoned, and the orbiter just floated away ever so quickly but ever so gently, peeling away from the Big Orange Thing like a whale swimming away from the observer in a dark ocean with stately grace. What a beautiful sight. You can see the video from here (or at least a still if your system doesn't take *.ram).
Beautiful. We need more moments of beauty like this in this world of ours.
Then the Big Orange Thing jettisoned, and the orbiter just floated away ever so quickly but ever so gently, peeling away from the Big Orange Thing like a whale swimming away from the observer in a dark ocean with stately grace. What a beautiful sight. You can see the video from here (or at least a still if your system doesn't take *.ram).
Beautiful. We need more moments of beauty like this in this world of ours.
24 June 2005
Frying Small Fishes...
老子 "道德經"
60 治大國若烹小鮮。
'Governing a country is like frying a small fish', so said Chinese philosopher Lao Tzu in 'Tao Te Ching' (verse 60). Implication, is of course, that you spoil it with too much poking.
Executives, executors, executioners, take note.
60 治大國若烹小鮮。
'Governing a country is like frying a small fish', so said Chinese philosopher Lao Tzu in 'Tao Te Ching' (verse 60). Implication, is of course, that you spoil it with too much poking.
Executives, executors, executioners, take note.
15 June 2005
Doing it
Ah. Humour is such a very subjective thing.
I wandered into a nice knicknack shop in an art centre in the city yesterday. The shop sells some of the most interesting artsy-folksy things around, which makes it a wonderful place to lose half an hour and half your current cash in. What caught my eye was a fridge magnet that says:
"Singers do it with their mouths open."
That was pure serendipity at work, for I had a chorus rehearsal within fifteen minutes of me seeing that magnet. Of course that magnet (and the one that says "Musicians do it with the conductor") got some serious chuckles in choir rehearsal that evening.
Which reminds me of other statements of similar ilk.
Statisticians probably do it.
Astronauts need space to do it.
Logicians do it symbolically.
Engineers do it with precision.
Cosmologists do it with a bang.
I'll stop now because I don't want to overdo it.
I wandered into a nice knicknack shop in an art centre in the city yesterday. The shop sells some of the most interesting artsy-folksy things around, which makes it a wonderful place to lose half an hour and half your current cash in. What caught my eye was a fridge magnet that says:
"Singers do it with their mouths open."
That was pure serendipity at work, for I had a chorus rehearsal within fifteen minutes of me seeing that magnet. Of course that magnet (and the one that says "Musicians do it with the conductor") got some serious chuckles in choir rehearsal that evening.
Which reminds me of other statements of similar ilk.
Statisticians probably do it.
Astronauts need space to do it.
Logicians do it symbolically.
Engineers do it with precision.
Cosmologists do it with a bang.
I'll stop now because I don't want to overdo it.
03 June 2005
Starting the blog with an Earth Shattering ... plop?
I have been pondering on what topic to start this blog with, when the answer presented itself in a funny, intelligent, and most importantly, as-of-now-scientifically-accurate description of 'How To Destroy the Earth', courtesy of Mr Sam Hughes of Corpus Christi, Cambridge. To my delight [haha], Slacker Astronomy, one of my favourite podcasts, gave air to this topic in a hilarous podcast.
Evil Overlords, Take Note.
Those of you who have read my last fiction work would know why this is a particularly close topic to my heart. Hail maraudering asteroids! :)
Evil Overlords, Take Note.
Those of you who have read my last fiction work would know why this is a particularly close topic to my heart. Hail maraudering asteroids! :)
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